For as long as men have lived, myths and legends have permeated cultures across the globe. But for every known monster, are there creatures of lore, gods of fable, and rituals of old that have been forgotten by time?
Delve into the darkness that came before and witness over 100 short drabbles resurrect the ancient world in 100 words or less.
Featuring award-winning horror and fiction authors from around the world, we dare you to remember the fear of the unknown and to dive headfirst into the beyond.
Within these pages the old gods have awoken and with them, chaos will reign again.
I thought the concept of this collection was really interesting, as I’d never heard of a collection of drabbles (100 word stories) before. It may not be the best format for me as there were so many of these that I was sucked into and left wanting more. For me I’m not sure if I can be satisfied with only 100 words. Still it was a great way to get acquainted with a number of different authors and their writing styles.
There were so many of these that were written beautiful and had a great punchline, but there were also some that just didn’t do it for me, which is something you can see with any collection. Still, I did enjoy the stories but I’m not sure if drabbles are something I’m going to read a lot in the future as I feel like I will always want more in some way.
What starts out as a typical family vacation to Grandma and Grandpa’s house quickly erupts into supernatural mystery and peril when three siblings accidentally break an old, mystical jar hidden deep in the woods, revealing they are descendants of Pandora and their family has been tasked for generations with protecting the very jar they just broke… As magical monsters pour out of the fractured relic and run amok, Charlie, Janet, and Trevor must find a way to capture all of the creatures in order to save their family—and potentially the entire world—before it’s too late. Writer Kara Leopard ([Super]Natural Attraction) and illustrators Kelly & Nichole Matthews (Jim Henson’s Power of the Dark Crystal) weave an otherworldly tale about finding help in the unlikeliest of places, learning the truth about your family history, and most importantly of all, talking cats.
I was really excited reading the description of this graphic novel, descendants of Pandora who have to deal with Pandora’s box being opened? Yes please. The banter between the siblings and the humor woven throughout was spot on and helped the story move along quickly. The artwork was so vibrant and dynamic and I loved how each of the monsters shown were illustrated.
There were points where things were written in Greek and one instance where Korean was used and I wish there had been a translation somewhere on the page. You could definitely tell the context of what was being said, but I’m sure younger readers would really like a translation, even if it was through a footnote.
Overall it ended up being a fun and quick read that was full of laughs. I did really enjoy it and flew through it.
What happens when gods wane, retire, or just decide they need a change of employment?
13 writers took up the challenge and let their imaginations run wild in this anthology that is nearly-always amusing, somewhat insightful, and completely irreverent as we imagine the gods of yore in retirement.
The premise of this book alone was able to interest me. Anything incorporating mythology will typically pique my interest, so when it was pitched to me as a short story collection with gods who are perhaps…past their prime.
I loved the hijinks that were detailed in the stories. Some stories were based on either one god within one mythology, while others had a lovely mix of different cultures and religions. So many of the stories ended up being hilarious as the gods had to cope with their retirement or advanced ages in worlds that perhaps didn’t worship them anymore.
I can’t think of any particular story that I didn’t enjoy, but there were definitely some that were absolute gems and left me laughing and thinking about them for a while afterwards.
Neil Gaiman, long inspired by ancient mythology in creating the fantastical realms of his fiction, presents a bravura rendition of the Norse gods and their world from their origin though their upheaval in Ragnarok.
In Norse Mythology, Gaiman stays true to the myths in envisioning the major Norse pantheon: Odin, the highest of the high, wise, daring, and cunning; Thor, Odin’s son, incredibly strong yet not the wisest of gods; and Loki—son of a giant—blood brother to Odin and a trickster and unsurpassable manipulator.
Gaiman fashions these primeval stories into a novelistic arc that begins with the genesis of the legendary nine worlds and delves into the exploits of deities, dwarfs, and giants. Through Gaiman’s deft and witty prose, these gods emerge with their fiercely competitive natures, their susceptibility to being duped and to duping others, and their tendency to let passion ignite their actions, making these long-ago myths breathe pungent life again.
I already knew going in that I liked Neil Gaiman’s writing style, so I was excited to experience the Norse myths though his style. I think this is a great example of modern language and story telling techniques refreshing these old myths and making them more accessible to people who may not want to read them as they were originally written.
Gaiman injects his usual wit and cleverness in the stories and in my opinion makes them vibrant and an easy, enjoyable read. He sets up the myths well and laid a great groundwork so that the worlds and characters could be understood. This is great for people who already love the myths or those just getting into them.
When I first heard that this book was a take on Medusa, I was instantly intrigued and wanted to check it out. Things based on mythology always pique my interest as that’s one of my buzzwords/favorite concepts. This book did not disappoint on the Medusa aspect for sure.
After the prologue (which gives us a glimpse of events in the past) we follow Milla, who is sheltered and lives a quiet life outside of the village with her parents and brother. As the story unfolds we learn about the curse that the village lives under where young girls get afflicted by a “demon” and get taken away. We then continue to follow Milla as she does everything she can to learn more and to help those she cares about.
This book opens up great conversations about the extremes that some religious beliefs can go to and what happens when people react harshly out of their fear. In some ways you could draw some parallels to stories such as those written about the events that happened during the Salem witch hunts. There’s also a lot of talk about oppressing females if they don’t act the norm or perfectly obey. I felt that these concepts were subtle enough to not be overt, but still there.
Overall I really enjoyed this read and loved how the story unfolded. I would recommend picking it up if you’re looking for something mythology based or perfect for the spooky season.